Dad Rocks!
Nov 28th, 2011 by hachaduryan

DAD ROCKS!

 

Location: Denmark (Iceland)

Genre: Indie-Folk-Rock

 

Dad Rocks! – Weapons (featuring Charles Spearin of Broken Social Scene) courtesy of Paper Garden Records

 

Icelandic musician Snævar Njáll Albertsson is the mastermind behind Dad Rocks!, the solo project of the singer who initially rose to prominence with the Danish band Mimas. Dad Rocks!, however, is quite different: the guitar here is mostly acoustic and is accompanied by piano, trumpet, violin, viola, handclaps and much more. As Dad Rocks!, Albertsson is inspired by acts such as Bill Callahan, Owen, Why?, Akron/Family and Do Make Say Think. This has led to a sound that is a unique mix of folk, pop and lo-fi with complex guitar-work and anthem-like arrangements.

Snævar Njáll Albertsson’s primary sources of inspiration, however, are the relations closest to him. Most of all his little daughter who also inspired the name Dad Rocks!, naturally a pun on the ’dad rock’ genre. The use of pathos and irony is something that is explored throughout his work. Lyrically, this is also a central aspect with subjects both big and small. Sometimes delivered almost cynically but with words that are close to naïvism. Underneath this, the irony lurks at every corner, and even the title of the debut EP, “Digital Age”, explores this dynamic.

Whilst the EP was recorded in a lo-fi setting on an analogue tape recorder, Albertsson had another vision for the forthcoming debut full-length, Mount Modern, and went for a different aesthetic that allowed the instruments to stand out clearer to bring out every single melody carried out on the many instruments played on the album. For this task he enlisted Icelandic super producer Addi 800 (Blur, Björk) to mix the album and Tom Mcfall (REM, Stars, Regina Spektor, Bloc Party) to do the mastering.

 

Dad Rocks! – Nothing Keeps Up courtesy of Paper Garden Records

 

 

Facebook – http://www.facebook.com/pages/Dad-Rocks/323716390096
Twitter – Twitter.com/dadrocks1

Paper Garden Records – http://papergardenrecords.com/bands/records/dad-rocks/

 

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Sharon Van Etten
Nov 25th, 2011 by hachaduryan

SHARON VAN ETTEN

 

Location: Brooklyn, NY

Genre: Indie; Singer-Songwriter

 

Sharon Van Etten – Serpents courtesy of Pretty Much Amazing

Sharon Van Etten came to Brooklyn via Jersey via Tennessee via Jersey. Along the way, she sang in choirs, rejected her school’s music program, worked at an all-ages venue, trained as a sommelier, and got a full time job at a record label. She also had some bad experiences in relationships.

OK, more than some.

Epic, Van Etten’s second album, lays a romantic melancholy lining over the gravel and dirt of heartbreak, without one honest thought or feeling spared. She sings of betrayal, obsession, egotism and all the other emotions we hate in others and recognize in ourselves. Yet, Van Etten’s grounded and clenched vocals convey the sense of hope – the notion that beauty can come out of the worst of circumstances. Epic is indeed that beauty.

The album was recorded at Miner Street Studios in Philadelphia with Brian McTear. Where Van Etten’s first record, Because I Was In Love, explored her thoughts on love through minimalism and sparseness, Epic embellishes her music to grandiose luminosity. Guitar and singing are joined by drums, piano, lap steel, and a trio of backing vocalists: Meg Baird (Espers), Cat Martino and Jessica Larrabee (She Keeps Bees). The result is a fully realized album that astounds as it elucidates, disturbs as it soothes. The final track, “Love More,” has already been covered live in a collaborative effort between Sharon fans Bon Iver and The National.

A few things need to be made clear about SVE’s music. She’s not the type of “female singer/songwriter” who champions women-centric perspectives and denies personal accountability. Nor is she a strident provocateur. Rather, Van Etten is a performer who fully embraces her femininity while confidently expressing it through intelligent and mature perspectives on relationships. Those turned off by the provincialism of other performers will be pleased that you can identify with Van Etten’s incisive and universal observations about love and loss.

Since her last album, Sharon Van Etten has sung on The Antlers’ Hospice and performed with them at Radio City Music Hall, sung improv on the Mike Reed Trio’s upcoming album, recorded backup vocals for Swedish popstar Anna Ternheim, appeared on the compilation with the recent issue of Esopus, collaborated with Megafaun (check YouTube!), will be on a soundtrack for the film The Builder along with Bon Iver and Phosphorescent, and has a seven-inch coming out this summer on Polyvinyl. After years of playing repeatedly around the New York scene, Van Etten is preparing for a series of tours that will take her through Europe and the United States. A full band will be realizing Epic live.

Sharon Van Etten – Love More courtesy of WILD TONIC

 

You can learn more about Sharon Van Etten here:

http://sharonvanetten.com/

http://www.myspace.com/sharonvanetten

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Mike and Cody
Nov 19th, 2011 by hachaduryan

MIKE AND CODY

 

Genre: Grime/Pop

Location: Boston, MA

 

Mike and Cody Let's Go

 

 

We had the honor to speak directly to Cody Hochheiser and here is what he shared for www.thelazycocoon.com:

 

We are a quite new band -it is just me, Cody Hochheiser, and Mike Okusami. We met when we were in high school in a Washington D.C. jazz band – I played drums and he played bass.

He went off to Berklee College of Music and I went to Tufts University (where I am a senior now) and we started messing around on pop tunes — then this past summer we started getting serious and put together this EP. We did all of the recording, production, and mixing in Mike’s apartment in Boston, just the two of us. He is playing most of the instruments – bass, guitar, synths — I’ll play synth sometimes and we both sing (he is lead vocals on ‘headphones on’ and ‘devilish’, I am on the other five songs on the EP)

The EP has been out for about 3 weeks and we’ve gotten a really good response – it’s number 1 most popular on Bandcamp from D.C. bands (out of 12,000) and #31 out of 136,000 in the pop category.

 

Well, quite an impressive little start, that is for sure. The songs are great and they have been recorded and produced with some serious talent. Great job you guys, we’ll keep an eye out for you!

 

 

 

 

 

Here are a couple of really neat music videos, proudly performed by Mike & Cody!

 

 

 

 

You can find out more about Mike and Cody here:

 

http://mikeandcody.bandcamp.com/

http://www.myspace.com/mikeandcodyband

www.facebook.com/mikeandcody

Mike and Cody were also interviewed by The Tufts Daily, you can read the article at:

http://www.tuftsdaily.com/weekender-interview-cody-hochheiser-1.2664621

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Telekinesis
Nov 17th, 2011 by hachaduryan

TELEKINESIS

 

Genre: INDIE-POP/INDIE-ROCK

Location: Seattle, WA

 

 

Telekinesis – Please Ask for Help courtesy ofMergeRecords

 

Telekinesis is Michael Benjamin Lerner, an er based out of Seattle, Washington,United States who is currently signed to Merge Records.

Lerner signed to Merge Records in early 2009, and shortly afterward released the eponymously named debut album Telekinesis! on April 7, 2009. Recorded in September of 2008, the album was produced, mixed, and engineered with the help of Chris Walla (guitarist for Death Cab for Cutie), recording one song per day on analog tape.

While on tour, Lerner is joined by Chris Staples (electric gtr), David Broecker (electric / acoustic / bass gtr), and Jonie Broecker (bass gtr / keyboards) to make up the touring band.

Official website: http://www.telekinesismusic.com

Here is what Merge Records say about Telekinesis:

The dread of the sophomore album is a common affliction among new artists, and in early 2009, Michael Benjamin Lerner was no exception. Excitement about the success of Telekinesis! left Michael feeling edgy and restless when it came time to write new songs. The long-distance relationship that inspired his debut album’s songs of wanderlust had ended, a mystery ailment had rendered him physically off-balance and (thankfully, only temporarily) deaf in one ear, his touring van had been severely damaged in an accident, and he had just returned from a much-needed “escape” to Berlin in the dead of winter where he had banished himself to a room in the warehouse district to write songs from 9 to 5 each day. Always attempting to capture a specific moment or feeling with his songwriting, Michael spent no more than a day on each song. However, he was still a couple of songs short of an album that he could be happy with.

Michael describes his method of songwriting as “heart on my sleeve,” so trying to write more “super-pop” songs just wasn’t working while his life was such a mess. He took a few months off, let his balance return, fixed his van, and went on tour, returning energized and ready to head back into the studio.

Continuing their partnership from Telekinesis!, Michael and producer Chris Walla again recorded to analog tape. They tossed out all the rules-as they are wont to do when they get together-and, as Michael says, “went a little crazy,” spontaneously dancing and recording drum parts backwards. Walla shared his love of Mark Robinson’s Flin Flon project (specifically, the 1998 Teenbeat album A-OK), and Michael became enthralled with the fuzzed-out bass sounds. For the first time, he used his new bass guitar to write songs, and Michael’s characteristic Telekinesis pop hooks combined with his darker lyrics, giving the music a decidedly rocking direction.

“50 Ways,” which Michael describes as “the most complicated song I’ve ever written,” uses a reference to Paul Simon’s tongue-in-cheek breakup song “50 Ways to Leave Your Lover” to express the anger and frustration of leaving someone but still seeing them everywhere you go. “Please Ask for Help” was inspired by listening to The Cure’s Disintegration on repeat. Michael used what he calls “that dirty bass line” to evoke the “weird lust” he imagines swirling around in a seedy bar on a Saturday night.

The result of all of this is 12 Desperate Straight Lines, twelve new songs of heartache, anger, and even a little hopefulness. With lyrics like “I cannot love you” and “I never loved you,” it’s not hard to guess that this is a breakup album, but Michael’s indomitable optimism shines through in the infectiousness of the music and in the final words of the final track, “Gotta Get It Right Now”: “And it’s alright, if it means nothing / Cuz it meant something, anyway.”

The new Telekinesis band features Jason Narducy (Robert Pollard band, Bob Mould band) on bass and Cody Votolato (Jaguar Love, The Blood Brothers) on guitar.

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Said The Whale
Oct 31st, 2011 by hachaduryan

SAID THE WHALE

 

Location: Vancouver, BC

Genre: Indie-Rock/Indie-Pop

 

Said The Whale-Camilo (The Magician) courtesy of PlanetaryOnlinePR

Ben Worcester: Vocals, Guitar
Tyler Bancroft: Vocals, Guitar
Spencer Schoening: Drums
Jaycelyn Brown: Keyboard
Nathan Shaw: Bass

 

In the five years since Said The Whale formed, the band’s hook-heavy pop-rock sound has propelled them to successes that include a nationally televised documentary, a Juno Award victory, and a seemingly endless series of tours around the globe. In an age of overnight internet sensations, it’s a true grassroots success story that has allowed the group — featuring dual frontmen Tyler Bancroft and Ben Worcester, drummer Spencer Schoening, keyboardist Jaycelyn Brown and bassist Nathan Shaw — to take its place among the Canadian indie rock elite.

After uniting in early 2007, the band wasted no time in releasing the EP Taking Abalonia, which was reissued the next year with seven new songs as the debut full-length Howe Sounds/Taking Abalonia. Said the Whale put out the follow-up LP Islands Disappear in 2009, and quickly won over a legion of new followers when the crunchy powerpop hit “Camilo (The Magician)” became one of the most played Canadian songs on Modern Rock Radio in 2010.

 

 

Audiences all around the world quickly began to take notice of the fast-rising musicians, who performed at increasingly high-profile gigs including the Vancouver 2010 Olympics and nationally televised Canada Day celebrations on Parliament Hill. In 2011, the band toured in the U.S. and UK and earned international praise from Perez Hilton, Consequence of Sound, We All Want Someone to Shout For, You Ain’t No Picasso, and BBC Radio 6. Back home, Said The Whale won a Juno Award for New Group of the Year, and the U.S. tour was chronicled by the CBC documentary Winning America. Following the teaser EP New Brighton, all of the band’s efforts have culminated in the new full-length Little Mountain, due out on March 6, 2012. Named after the band’s home neighbourhood in Vancouver, the collection was recorded at the city’s Blue Wave Productions studio by returning producer Tom Dobrzanski (The Zolas, We Are the City). The producer’s experience working on both of the band’s previous albums meant that he was able to help the Whales realize their clear vision for the project, which they fine-tuned during an extensive two-month pre-production period. The recordings were then handed to mixer Jack Joseph Puig, a multiple Grammy winner who was selected in part because of his wor

k on Weezer’s lauded Pinkerton. What results is Said The Whale’s most adventurous effort yet; with juggernaut production values, song suites that explode out of the speakers, and tracks that blend seamlessly into one another, it finds the group defying rock conventions without sacrificing any of their pop smarts. More diverse than previous albums, Little Mountain is a multi-stylistic tour-de-force that ventures into everything from soaring, horn-laden cabaret (“The Reason”) to jaggedly syncopated rock (“We Are 1980”) and effervescent guitar pop (“Loveless”).

 

“Heavy Ceiling” – Said the Whale by PlanetaryOnlinePR

 

As always, singers Bancroft and Worcester retain their unique voices, but their work has never sounded so cohesive; the tracklist was carefully selected for front-to-back listening, and the five-piece’s all-inclusive collaborative approach to songwriting helped to forge the bond between noisy electric stompers and intimate acoustic ballads. Tellingly, all five members share equal writing credit.

With the new wave-tinged single “Heavy Ceiling” already making its mark on the Canadian rock/alternative charts and videos for all 15 songs soon to arrive online, Little Mountain is shaping up to be one of the landmark rock albums of 2012. And if the last five years have taught us anything, it’s that Said the Whale will continue to win over audiences the old fashioned way: with relentless touring, killer songs, and big-hearted passion.

Said the Whale – Last Night by ThePEAKPP

 

Said the Whale – “Camilo (The Magician)”

 

 

www.saidthewhale.com
www.facebook.com/saidthewhale
twitter.com/saidthewhale
saidthewhale.bandcamp.com
iTunes

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You Can Be A Wesley
Oct 24th, 2011 by hachaduryan

YOU CAN BE A WESLEY

 

Location: Boston, MA

Genre: Indie-Rock/Alternative

 

 

You Can Be a Wesley – Giants courtesy of The Vinyl District

 

You Can Be A Wesley (YCBW) is Saara Untracht-Oakner, Winston Macdonald, Nick Curran and Dylan Ramsey.

Formed in the basement of a Boston University dorm room, YCBW made their first recordings on a broken laptop with a free mixing program. After recording their first demo in early 2008 and touring throughout New England and the Northeast, YCBW gathered an immediate fan base.

In 2008 the band took a brief hiatus when Saara and Nick finished their last semester of college in Sydney, Australia and Winston embarked on an adventure through Ecuador. Upon their return, the band regrouped to record the LP “Heard Like Us,” which they released in late 2009.

YCBW recently recorded and released a 7″ including the singles “Talking Science” and “Old In Florida.” They currently live in a big house together and are working on a full length due out in 2011.

You Can Be A Wesley – Talking Science courtesy of rslblog.com

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Mister Heavenly
Oct 19th, 2011 by hachaduryan

MISTER HEAVENLY

 

Location: ?

Genre: Indie Rock

 

 

Mister Heavenly – Pineapple Girl courtesy of All Tomorrows Parties

 

Mister Heavenly is an indie rock group consisting of Honus Honus of Man Man, Nicholas Thorburn of Islands and The Unicorns, and Joe Plummer of Modest Mouse and The Shins. They recorded their first album in late 2010, finishing the year with a string of tour dates supporting Passion Pit, joined by Michael Cera as their touring bassist. In January 2011, they released two songs, the eponymous “Mister Heavenly” and “Pineapple Girl”. Their first album, Out of Love, was released August 16, 2011.

 

Mister Heavenly – Bronx Sniper courtesy of All Tomorrows Parties

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Lupen Crook
Oct 18th, 2011 by hachaduryan

LUPEN CROOK

 

Location: United Kingdom

Genre: Indie/Singer-Songwriter

 

Lupen Crook – Chasing Dragons courtesy of Strummerville

 

Lupen Crook is an English singer-songwriter and visual artist. He has been prolific in his musical output since he emerged on the British underground music scene in 2005. Lupen Crook blends beauty and brutal truth in his own inimitable style.  Edgy and emotive, with a dark, observational wit, his imaginative song-writing continues to gather interest and acclaim from both underground and mainstream quarters.  Lupen Crook also produces a wide variety of raw and expressionistic artworks, including paintings, collage and illustrations.  He releases all musical output via his own label Beast Reality, more often than not featuring packaging that has been hand-crafted and personalised by Lupen Crook himself.

 


Lupen Crook –  “Chasing Dragons”

 

To learn more about Lupen Crook visit his homepage at www.lupencrook.com

 

 

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Freelance Whales
Oct 17th, 2011 by hachaduryan

FREELANCE WHALES

Location: Queens, NY

Genre: Indie

 

Freelance Whales – “Enzymes” by Pretty Much Amazing

  Freelance Whales is an indie rock band hailing from Queens, New York, consisting of frontman Judah Dadone (lead vocals, banjo, acoustic and electric guitar, synthesizer, bass), and bandmates Nicole Mourelatos a.k.a. Doris Flynn Cellar (bass, harmonium, glockenspiel, synthesizer, vocals), Chuck Criss (banjo, bass, synthesizer, glockenspiel, harmonium, acoustic and electric guitar, vocals), Jacob Hyman (drums, percussion, vocals) and Kevin Read (acoustic and electric guitar, glockenspiel, mandolin, synthesizer, vocals).

 

Ghosting – Freelance Whales by thewildhoneypie

 

Freelance Whales came together in 2008, after connecting through Craigslist and friends-of-friends. The band’s debut album, Weathervanes was largely composed by frontman Judah Dadone, the lyrics based on a combination of childhood memories and dream journaling.The band’s name derives from Dadone’s childhood in Jerusalem, and a near-drowning incident in the Sea of Galilee.

The band began to gain traction in October 2009 as they honed their sound on subway platforms around New York City. Toward the latter part of 2009, they self-released Weathervanes, and on April 27, 2010 the album was re-released under the band’s record labels, Frenchkiss and Mom + Pop.

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The New Pornographers
Oct 14th, 2011 by hachaduryan

THE NEW PORNOGRAPHERS

 

Location: Vancouver, BC

Genre: Indie/Indie-Rock

 

 

The New Pornographers “Moves (Radio Edit)” by Frontside

 

The band’s first four albums each ranked in the top 40 on The Village Voices Pazz & Jop year-end poll of hundreds of music reviewers. From 2000 to 2006, either a New Pornographers’ album or a solo album from one of the band’s members ranked in the top 40 on the list each year.[1] In 2007, Blender magazine ranked The New Pornographers’ first album, Mass Romantic, the 24th best indie album of all time. It is the second-highest Canadian album on the list, behind Arcade Fire‘s Funeral (which came in sixth).[2] In 2009, Rolling Stone magazine ranked the band’s second studio album, Electric Version, #79 in the “100 Best Albums of the Decade”.[3]

The name of the band was chosen by Carl Newman, who has said that he came up with it after watching a Japanese film called The Pornographers.[4] Many writers have assumed that the name was a reference to Jimmy Swaggart‘s reputed claim that rock and roll was “the new pornography.”[5] The band has released five albums to date: Mass Romantic (2000), Electric Version (2003), Twin Cinema (2005), Challengers (2007), and Together (2010). A live album recorded on their 2006 tour is available only at concerts and on the band’s website.

All of the band’s original members were prominent within the Vancouver music scene prior to forming The New Pornographers. Kathryn Calder, who is also Newman’s niece, joined the band in 2005 largely as a live replacement for Case, whose solo career often left her unavailable to perform with the band. Calder’s first lead vocals for the band were on 2007’s Challengers, singing the lead on “Failsafe” and sharing the lead with Newman on “Adventures in Solitude”.[6]

In 2009, The New Pornographers contributed a cover of the song “Hey, Snow White” to the AIDS benefit album, Dark Was the Night, produced by the Red Hot Organization.

The band released their fifth album—Together—on May 4, 2010, on Matador Records. The album includes collaborations from St. Vincent, Beirut‘s Zach Condon, and Okkervil River‘s Will Sheff.[7]

 

The Slow Descent into Alcoholism by The New Pornographers by VitalJuice

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